He is a national treasure in China, a five time martial arts champion, and a huge box office hit already starring as a hero in more than 25 movies under his (black) belt produced by Hong Kong filmmakers.

"Lethal Weapon 4," a hilarious comedy with all the usual Hollywood spectacular car chases, buildings blowing up and good guys chasing bad guys co-starring Mel Gibson and Danny Glover, is Jet Li's English speaking debut into major American motion pictures. And yes, Hollywood Director Richard Donner cast Jet Li as the insultingly stereotypical bad guy, an Asian triad crime lord, but as you try to dislike the "villain role" that Jet plays so well, you look into this movie star's eyes and start to swoon. Miscast, it's like casting Harrison Ford, Tom Hanks or Tom Cruise as an evil character, such a waste of fine talent.

At the recent National Association of Asian American Professionals 8th Annual Leadership Conference in Seattle, Asian American working professionals in mainstream media, several from major media conglomerates, decried with frustration that Hollywood is still portraying Asians in degrading and one-dimensional roles.

Jet Li is a leading man if we ever saw one, a handsome and sexy one too, and he deserves to be smiling on every frontpage publication.

The rest of Hollywood may be noticing, too that Jet Li burns up the screen, and not because he plays a good villain. Hollywood may be waking up to the ring of the box office cash registers spurred by their Asian actors. Like any shrewd for-profit making business, Hollywood columnist Michael Fleming of Daily Variety reports that audiences went wild over Jet during test screenings of "Lethal Weapon 4" and Warner Brothers was quick to exercise an option on his contract to capitalize on his appeal and is now keeping him busy filming a second major motion picture.

Warner Brothers, "Romeo Must Die," which Fleming describes as producer Joel Silver's version of Shakespeare's "Romeo and Juliet" was originally conceived for a Caucasian star and is being re-drafted for Jet Li. "Romeo Must Die," effectively delays Jet's starring role in Universal Studios', "Art of War" movie which is now scheduled to be filmed right after shooting is completed on "Romeo Must Die."

While there was no news on the final storyline of Jet's next two movies, his Hollywood spokesperson assures us, Jet is cast as the hero and in at least one of the films, he gets the girl! Congratulations, Go - Jet!

Li was born in Beijing, where at the age of eight he was enrolled in the Beijing Amateur Sports School for wushu training. After several years of intensive instruction led by his mentor, Coach Wu Bin, Li won his first and subsequently four more national championships for the Beijing Wushu Team. As part of a world tour in 1974, at age eleven, he had the distinction of performing a two man fight set on the White House lawn for President Nixon and Secretary of State Henry Kissinger.

Jet Li's entrance into American films has special significance to those of us who care about stronger and better Asian representation in the media. As an Asian American who has been working within America's mainstream broadcast journalist community, I have been more than an impartial observer of Asians in the media. Years ago, as an official board member of a state film commission, I visited the desert set in Tucson, Arizona of "Cannonball Run" and was excited to meet a young new Asian star named Jackie Chan. I still clearly remember that my friends accompanying me to the shoot and I were thrilled to get a glimpse of Jackie and shake his hand. The other movie stars, and there were plenty, including Burt Reynolds and Dean Martin were just gravy for the long, dusty drive through the Arizona desert. (We were all similar in age to Jackie, in our twenties and had decided we couldn't ask for his autograph because as members of the Governor's Film Commission, we had to act "dignified," even though stars and crew members alike, were busy taking photos and getting autographs from each other.)

We remember hoping that this film would be Jackie Chan's big break into American motion pictures, so we wouldn't have to rent those dubbed in English Hong Kong made films where people's mouths don't match the English translation. It wasn't to happen. It took him nearly fifteen more years to really make it in Hollywood as a big box office draw. Watch for AsianConnections' upcoming features and video clips on Jackie, his new inspiring autobiography and latest American movie, "Rush Hour " with Chris Tucker, his first in ten years.

While it has taken Jackie Chan, a martial arts master, comic genius and Asian mega star in his own right, many years to successfully cross the Pacific to star in mainstream American movies, we hope Jet Li can capitalize on his current momentum in "Lethal Weapon 4." Sure, we've read the usual cynical criticism particularly from the Asian press that he's been cast in yet another stereotypical role, but hey, chill out for just a moment guys, let's celebrate Jet Li's English-speaking American debut, tell Hollywood what a treasure they have in their hands, and actively encourage Hollywood movie producers and writers to create more films with better multi-dimensional roles for him as well as all other Asians.

Motion picture studios make money not only from U.S. audiences but increasingly depend upon a global audience to bring home the money. Message to Hollywood: we want to see Jet Li in more movies with better roles! Look at his close-ups in "Lethal Weapon 4," he's a leading man if we ever saw one! In San Francisco, three young women sitting next to me at a screening of "Lethal Weapon 4" told me they came to see Jet Li, not Mel Gibson or Danny Glover!

When Jet Li smiles on-camera you can see a huge Hollywood star in the making. Let's buy tickets to go to his films, send him lots of fan mail of moral support* and let Hollywood know who they are dealing with. We can hardly wait to see his next U.S. films.

By Suzanne Joe Kai, Co-Founder, AsianConnections President, CSI International, an international investment firm in San Francisco and Newport Beach, and former Emmy nominated broadcast television news journalist. Ms. Kai was one of the first Asian Americans and women to be on-camera at mainstream news media organizations. Her broadcast career included news reporting, documentary producing and talk show hosting at KRON-TV (NBC) San Francisco, KCBS-Newsradio (CBS), KTVU-TV (Cox), and KGUN-TV (ABC). Ms. Kai holds a BA in Sociology and Economics from Mills College and a Masters Degree in Communication from Stanford University, and is a member of AFTRA.